MiSt3Ri iNTeRaCTiVe ®

“Bad Boys” opens not with the inciting incident to the plot, but rather jumps directly into exposition. Instead of showing the $100M heroin heist (which is the event that pushes all other aspects of the movie forward), Bay chooses instead to introduce the viewer to the two eponymous heroes of the story: Detectives Marcus Burnett (Martin Lawrence) and Mike Lowrey (Will Smith) driving along A1A in Mike’s ultra-expensive, excessively fast and exotic Porsche. The dialogue they exchange is nothing short of completely innocuous to the plot as a whole and doesn’t do much to reveal anything but each character’s personality. Lawrence’s character, Marcus, is eating in his partner, Mike’s, car. An argument ensues, they hilarious barbb, and towards the end of the sequence they are able to show the audience how quickly they can go from play to work, when they effortlessly foil an attempt to car-jack them. This scene is crucial to setting up not only the mood and tone for the film, but also the relationship between the two characters. We find out why Smith’s character has money, and Lawrence’s character does not. We find out the sort of dynamic they have: Smith is ultra cool, Lawrence has something a of a Napoleonic Joe Pesci type-of-thing going on; but they have been best friends since childhood it would seem, so despite the incessant blows to one another’s lifestyles (among other things), we the audience know that all is well. It is interesting to note that 90% of the dialogue in that scene was actually improvised at director Bay’s request. It is also noteworthy that the two title characters are played by men who had never done anything but comedy up to this point—a brilliant casting move by producer Jerry Bruckheimer ("Top Gun”, “Pirates of the Caribbean I-III") which gives the film something substantial to set it apart from the rest of the lot.

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